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Massive Art Installation Depicts Story Of American Nonviolence

By Audrey Lutz
Ms. Switzer and her History of Nonviolence class made an outstanding art installation depicting a visual timeline of nonviolent movements in American history. The project is the culmination of many years of preparation, research, and development.
After involving Ms. Story, an upper school art teacher, they decided to make a timeline following events through history. We were standing in front of the artwork when we spoke and she said, “If I were to go back 20 years when I first started teaching about non-violence I would not have known half of what is up here.”
Each student made individual tiles that show non-violent activists and researched them to gain a better understanding of who they are and how they affected history. I was able to speak with Leah Cox about her involvement with this project. “I was a student in the class, so I helped with brainstorming and making the background,” she said. “If you look at the board, on the far right, there is a collage of non-violent organizations and above it there are doves. I made both of those.”
Ms. Switzer said that the installation is a way “of visualizing all of the interconnected complexity of non-violence in American history.” Everything is connected one way or another, and this installment shows all of the historical branches.
As we started the interview Ms. Switzer implied that “Non-violence isn’t just about creating peace and justice, it’s creating conditions where violence is less likely.” This art is meant to show that peace is possible and that people are willing to risk their lives to stand up and say, they want a better society.
There are 14 different non-violent movements that are represented on the board, but the art piece starts with the Indigenous people in the United States. “What my students discovered is that from a very early point, Indigenous people in the United States had non-violent peacemaking kinds of cultural technologies, and a lot of the non-violence that evolved came from seeing the way the Indigenous people resolve conflict,” said Ms. Switzer.
The Indigenous people are the true roots of America and the first people to teach non-violence. “Many people think that the Indigenous people were just bows and arrows, but they had such a complex life,” said Ms. Switzer.
Next, we move on to the Quakers and Anabaptists. “The historic peace churches (the Quakers and Anabaptists) came to the United States to escape persecution.” The Quakers and Anabaptists lit the fire for the anti-slavery movement. “They believed that there is a god and somehow that god is present in all people, so then anytime you’re unjust or violent to another person, you’re being unjust and violent to god. So that sort of theological premise motivated them to confront slavery first.”
Everything is connected in history and this board is illustrating that. “So we have this early women’s movement that starts, and those same women became the leaders of the suffrage movement.” Ms. Switzer then shows me how the branches connect everything together.
As we keep moving down the boards we are introduced to the pre-civil rights which of course leads us to the all mighty civil-rights movement. They tried to include as much as they could, but the board can only hold so much. The board includes the majority of the 50s, 60s, and 70s.
Finally, we come to the final board with the Black Lives Matter movement “as the most recent manifestation,” with its focus on anti-racism. “We have anti-racism, kind of having these moments of surging and then receding and then surging over time, but always there.”
People have always been fighting against racism in history. “A takeaway that one of my students realized is that since the 1600s, there have been people, white people standing against racism, all the way to the current time. And since 1730-1740 every year someone has been born in America who has fought against racism.”
At the end of the final board, there are many pieces of art. “We have this collage of doves and it sort of represents the future for hope and peace,” Ms. Switzer said. There is a collage of different activists, and then finally a mirror “because we wanted people to get to the end of the installation and say, well what can I do to make a more peaceful future?”
Under the mirror, it says “The Future of Nonviolence is You.”
This project was a semester-long idea, yet the idea mainly came to fruition right around thanksgiving. As Ms. Switzer usually has a much bigger class she doesn’t do big projects like this one. This year she only had 9 students in her History of Nonviolence class, so Ms. Switzer asked them if they wanted to do something more creative than they normally couldn’t do with a greater number of students. “We talked to Ms. Story and we started brainstorming options. My students wanted to work together so we developed this idea, which was much more complicated than we were expecting and I didn’t know if we were going to finish.”
They started making it right after fall break and only had until exams to finish. “Towards the end of the last 2 weeks of class, this project was all we did. The students came before school, after school, and during lunch. They spent so much time on this and it’s incredible.” Leah Cox, a student who worked on this project, said that “There were times when we would have to come during our free periods, and we would work together and collaborate throughout the whole process.”
As the artwork started to finish they brought in Ms. Story again to take a look. “Once Ms. Story saw the project coming together she said that we needed to get this in front of other audiences.” Then came talk of where this outstanding project could go. They are considering the Hartfield Jackson airport, which has a section where they display student work; the Center for Civil and Human Rights; and even the history center of Atlanta. “Right now the chief of the marketing department – Janie Beck- is working on finding out if this could be a traveling exhibition.”
Ms. Switzer is so proud of this piece and it has only made her think of what she could do in the future. “I’ve been trying for years to know how to organize this incredibly complex history and the more I taught the more I realized that it’s not just the history of non-violence but the histories of non-violence, and I’ve always struggled to make sense of it all visually. And the fact that they were able to create a way of visualizing it is amazing, not only to me but to them and future students.”
This project was huge, not only for Lovett but for the future of Ms. Switzer’s class. This artwork alone holds so many important people, dates, and moments in history that are not talked about in the history books.
The students had to work so incredibly hard to get this project completed and it brought them closer together. “I think that this bonded my class,” she said. “We would see one another so much during the day that our close proximity to each other almost forced us to get closer.”
This artwork will be displayed in the art gallery hall until the end of February. After that, no one is truly sure where it will end up but, hopefully, wherever it goes it will inspire people. “We’re trying to create a better world,” Leah said.
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Planning The (Other) Masters

By Valeria Benitez
With the all-girl Junior SGA planning prom (Cate Turner, Grace Schmidt, Savannah Jones, and me), we had many visions for the big night. At the start of the year, we decided on a Monte Carlo Casino Night. We had all the vendors and decor picked, including blackjack tables, poker setups, and Texas Hold’em, overflowing our online carts. In our minds, it was going to be the best prom ever.
And then…plot twist. Just two weeks before finalizing bookings, a Community Time focused on the risks of gambling changed everything. After checking with administration, SGA received a firm “no.” Although casino nights had been approved in the past, the administration told us the timing didn’t feel appropriate, and like that, months of planning had to be scrapped. No pressure.
With our original plan gone, we had to start over, fast. The search included ideas ranging from ffrom Masquerade to The Great Gatsby, but they seemed cliché and nothing quite clicked. After hours of brainstorming (and plenty of Pinterest scrolling), Savannah threw out a new idea: “What if we did a Master’s theme since it’s Master’s weekend?”
Savannah said she knew it would appeal to everyone because “Girls would think it’s cute with the southern vibes, and guys would also like it with all the golf activities.”
Suddenly, we didn’t feel so doomed after all. The idea was fresh, fun, and new, something no one had done before. Once the theme, “The Master’s, A Night Unlike Any Other,” was chosen, the goal shifted. We started brainstorming, and instead of a DJ, SGA chose a live band to create a more elegant atmosphere. We also decided to incorporate themed entertainment, including mini putt-putt stations and even a golf simulator, despite some initial concern that someone was going to get hit by a golf club (let’s not jinx that).
While the final product will hopefully seem effortless, the planning process was anything but effortless. In January, we spent hours contacting vendors, negotiating prices, organizing decorations, and managing a tight budget.
To stay on track, we divided responsibilities among the team. Savannah handled the photobooth, buying decorations and vases for the tables, emailing seniors to submit their pictures (which, if you haven’t yet and you’re a senior reading this, PLEASE send your photos), as well as many other logistics.
Grace managed the band, putt-putt, golf simulator, and yellow U.S. flower poster that she carved out from cardboard. She supported Savannah in acquiring vases and decor, and all the payments for this.
Cate worked on picking out the best master’s menu with the caterer, planned the venue’s logistics for the day of prom, and did a walk-through. She also worked on getting contacts for the balloon wall that will go in the front, as well as purchasing decor and vines that will hang from the ceiling.
Finally, I handled buying disposable cameras that everyone will be able to use around prom, the senior walls (still a work in progress), contacting security for prom, and the faculty dinner and prom king and queen.
This process hasn’t been easy, but since we are all really good friends, we can yell at each other to get things done. I think a huge challenge would have been if we hadn’t communicated.
After finalizing the details, SGA returned to the venue with their new vision in mind. Funny enough, our PDC this year was at this venue, and when we toured it for the first time, we had our PDC mindset, and we all wondered how we were going to fill that much space. This time, everything felt different.
Savannah also acknowledged the challenges behind the scenes, such as “making sure nothing falls through the cracks has been hard… but dividing roles and staying organized is key.”
Her advice for future SGA members is simple: focus on quality, stay organized, and make sure no one is left out, as well as hype up your prom theme. Grace Schmidt had similar advice: future Junior SGA should have fun with it and, when something doesn’t work out, just trust the process.
I asked Grace and Cate what they thought the biggest challenge was, and both agreed that filling up such a big venue with a tight budget has got to be the toughest part. “You don’t realize how little time you have to plan everything, and before you know it, you have to have everything almost booked before March, as everything gets booked fast,” Grade added.
Looking back, I think that we are all very proud of the way the theme was announced. The night before the Tuesday Morning Meeting, Savannah created an edit of the Masters that in the background had Juniors Jack Stephenson and Thomas Rhodes, and we didn’t tell the Ultras the theme, we just told them to say that they were the fans of the week, and I have never seen someone more shock to receive fan of the week a year later. Everyone was so confused about what was being announced till the end of the edit, which said Prom 2026. Bridget Valls was pretty disappointed to see that the theme was not Candyland (in fact, she was very passionate about this theme).
In the end, prom planning is more than just decorations or themes. It is about adapting when plans change, working together, and creating something meaningful for the entire student body. After all, giving up my lunch period 3 times a week, both this past semester and this one, to work on prom, was definitely not easy.
But sometimes the best ideas come from unexpected turns. See you at the Masters.
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Injuries Can’t Stop Laxer Hopkins David From Aiming For The “Win”

By Maiya Tomlin
As I was scrolling through Instagram the other night, I saw numerous lacrosse boys reposting that the Lovett Varsity team was ranked 3rd in the state by GHSA.
I walked into French class the next day with the intention to speak to junior and lacrosse player Hopkins David about this rating; it seemed preposterous. In hindsight, I should have had more faith in the team.
At the time of our conversation about two weeks ago, he told me the team had played eight games, and they were looking forward to their game against Marist that Friday (which I attended for about fifteen minutes before Irish goodbye-ing).
To provide insight into what GHSA Instagram posts cannot, I asked him how the team is this year. “We’re really good. We have really good chemistry,” he told me. “We do a lot of team bonding, like going to each other’s houses after games and celebrating.”
The central goal for himself and the team is simple: “Win,” he told me. “What?” asked junior Ariana Lotfi, another member of our French class. It seemed she was perturbed by his overly simple answer.
“The last game,” he added.
That didn’t make it any clearer.
I’m no lacrosse connoisseur, but I’m pretty sure the so-called “last game” is a blurred line before and during the playoffs, but I pushed my judgments to the side and let Hopkins continue.
“Well, if you win the last game every time,” he finished.
I just decided to leave it at that; if the confusing, hard-to-articulate goal is working for him and the team, so be it.
The Lacrosse coaches this year are Mr. Buczek, Mr. Parrish, and Coach Austin. I was unfamiliar with Coach Austin until Hopkins reminded me of our French field trip to the High Museum this winter. I was walking in the museum lobby with Hopkins when he told me to “hold on.”
He approached a random man in a baseball cap, working on his laptop. The mysterious man exclaimed, “Hop! No way,” and asked, “What are you doing here?” I think Hopkins had a better question, spotting his lacrosse coach working in the High Museum as if it were a coffee shop. He told us that he comes to the High Museum to focus and be productive, and noted it as a very peaceful place to work. A little odd, if you ask me, but I suppose I saw the vision?
After Hopkins jogged my memory of this interaction, I was now familiar with Coach Austin, at least I thought I was. “He’s a lawyer,” Hopkins told me. “A lawyer and a lacrosse coach?” I asked. This guy is full of surprises.
Then, Ariana butted in on the conversation and asked, “What’s your celly?” (If you were unaware, “celly” is short for “celebration”). Hopkins responded, “I don’t know, I don’t really have a go-to” before shooting an imaginary bow and arrow in the air. Junior Hunter Silliman then exclaimed, “Dude, that was tough.” I’m not sure if I considered whatever I had just witnessed as “tough,” but perhaps I’d have to see it in action.
However… I’m unsure if I will see it in action anytime soon.
I was sitting in French a few days later, and Hopkins walked through the door with a boot on his right foot. “What happened to you?” we all asked. “I was running down the field after a guy, and I lunged and when I lunged to check his stick, my ankle twisted. No good,” he said. Definitely no good. He informed us that he was due for an X-ray in the next few days and should hopefully be okay to play in a few weeks, depending on his results.
That was until the weekend passed, and he walked into math. (As I’m writing this, I realize I have two classes too many with Hopkins.) Anyway, he walked in with a brace on his right ankle and a boot on his left. “Wasn’t the boot on the other foot?” I asked. “Well, I hurt the other foot,” he responded.
If you know anything about Hopkins, the boy has had five concussions. In addition to the five concussions, he tore his bicep last lacrosse season doing the cobra pose in a yoga class, which he routinely denies. “It was hurt before, I must’ve done something to it,” he claims.
He explained how he ended up with two injured feet. “And then I was getting ready all week to play against [St.] Pius because I missed against Holy Innocents’. And when I played against [St.] Pius, I messed up the other one in warmups,” he told me.
Hopkins may recover before the season is over. In the meantime, he keeps himself busy by “supporting on the sidelines, cheering for my team, and giving everyone advice,” he said. “I yell a lot at them. I’m interested. And I want to help them do good,” he added. Alongside all of these jobs, he fills up their water bottles. “I’m the waterboy!” he told me.
Out of all his injuries, it seems two hurt feet are not nearly as bad in comparison to his concussion in his freshman year. “I had to go to cognitive therapy. I couldn’t speak right for three months,” he told me. “Are you serious?” I asked. “I had to relearn how to form sentences,” he finished. I recalled Hopkins’ two-month-long absence period, and it all made sense.
Despite Hopkins’ constant injuries and concussion curse, he undoubtedly possesses the kind of resilience I couldn’t fathom. I asked him if he had any advice for anyone who is currently injured from their sport and bummed out by not playing. To which he advised, “Keep yo head up, twin.”
Solid advice. And I suppose during his recovery, he’ll have time to think of more cellys.
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SAAB Gives Voice To Student Athletes

By Malaya Madison
Every day, Upper School Students pass by the TV in the Wallace Gym and see a select group of media day photos from different sports and different grades.
Leading them to question, “What is that for?”
This acknowledgment on the board is for a select group of students who are a part of the Student Athlete Advisory Board, also known as SAAB.
SAAB is a group of student athletes (you could probably tell that much by the name) that represent all teams, act as a voice for athletes to the athletic department, and promote things like athletic events, community service, and school pride.
SAAB makes a heavy impact on the community. At the beginning of the program for the 25-26 season, members got into groups that were specified according to their interests. The groups were learning about well-being, mental health, and increasing school spirit.
If you’re wondering how SAAB has impacted our community, here are some ways it has shown up.
At the Lovett v. Westminster basketball game, the spirit group designed shirts to hand out to the crowd for school spirit. Our whole student section had them on, so if you remember getting a shirt that was SAAB!
SAAB is also centered around plenty of community service opportunities. This is one of the main goals of the program: how athletes can be more involved in their community.
SAAB took part in a community service event and made 2,700 sandwiches to help with food insecurity in Atlanta.

Screenshot Many of these service opportunities have come from connections made by the Athletic Department and SAAB advisors.
I spoke to Amy Jones, known by most of us here as Coach Amy, about SAAB, since she is one of the advisors. Amy Jones is the Athletics’ Business Operations Manager and Cheerleading Director.
She explained that Lovett modeled the organization on those of most colleges and universities.
Like Coach Amy, most of the other advisors were on a board like ours while in college. While on the Student Athlete Advisory Council at Wake Forest University, it impacted her experience as an athlete and inspired her pursuit of her master’s in Sports Management.
Coach Amy shared how important this program at Lovett is to her because “just getting to work with students outside of coaching or seeing them in the hall, seeing them make a difference, is really … I love it.”
Coach Amy says that Service work is important to her because “so many kids spend so much time at Loveett, because we’re all so busy here, so it exposes our student athletes to experiences around the city.”
She went on to explain that they wanted to “make sure we were giving athletes a voice so we can make it the best athletic program possible and make sure we’re serving all the athletes and giving them a sense of ownership over the athletics program.”
Coach Amy mentioned that she and the other advisors would love for SAAB to continue being student-led.
I spoke with Phillip Claybrooks, one of the two freshmen on SAAB (alongside me!).
Claybrooks is also one of the only two freshmen playing varsity basketball at Lovett, so he knows the struggles of being a student-athlete while adjusting to high school.
That struggle has led him to want to work to encourage teachers to be more considerate about our schedules. And aware of how much a sport can impact your body and well-being.”
One of SAAB’s goals is to improve student-athletes’ well-being and to explore how teachers and administrators can support that.
Being one of the few freshmen, Claybrooks mentioned that he loves being a part of something like SAAB because “a lot of people in this program…are great role models and people I can learn from that already have offers and scholarships.”
One of the role models Claybrooks can look up to is senior Kai LaBarrie, who has committed to Murray State University (D1) for Soccer.
Unlike Claybrooks, who is just getting started in his athletic career at Lovett, LaBarrie has been involved with Lovett athletics since her freshman year, when she was a freshman on Varsity soccer.
SAAB is important to Kai because it enables members of all the sports to communicate with the athletic department about how they’re feeling. “I think it’s very hard for adults to understand or see what exactly we’re going through if we don’t communicate with them,” she said.
Students on SAAB are able to go to advisors with changes they would like to see (which is the whole point of this board).
Kai would like to see more spaces to celebrate a wide range of athletes and events. She mentioned that we have a “homecoming pep rally, winterfest, but spring sports don’t really have anything.”
So, the next time you pass the media day photos on the TV outside Wallace Gym, remember how hard the SAAB members are working to improve the student-athlete experience at Lovett!
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Alumni Giving Day Goes Back To Lovett’s Future

By Ella Harvey
The more things change, the more they stay the same. Especially when the Advancement office asks you to help recreate some old Lovett photos, which is what I did a few weeks ago as part of Alumni Giving Day.
Lucy Lina is another Riverbank Guide who took part in the event. “I love how it was one of my responsibilities because it is one of my favorite things I take part in on campus,” she said. Riverbank Guides lead tours around campus for prospective families and occasionally engage with alumni.
On Alumni Giving Day, Lovett alumni are kindly asked to donate to support Lovett’s future. All of the donations are contributing to Lovett’s annual True Blue Fund. According to Mrs. Olaya, the assistant director of annual giving, the True Blue Fund is “Lovett’s unrestricted Annual Giving campaign. So the annual fund offsets the budget. Tuition covers only a certain amount of the annual operating budget, so the True Blue Fund makes up the rest.”
Mrs. Olaya has been here since January of 2025, and before this, she was at another school, where she was “doing advancement and marketing and communications, which I was running someone else’s social media, which is where my ideas come from.” This includes the photo recreation project.
One day, the Engagement Office was looking at a photo of students in the ‘70s walking up the stairs to the ARC, and Mrs. Olaya thought, “How cool would it be if we created that with current students now?”
She asked Riverbank Guides to recreate the photos because they also interact with alumni. “I got about 10 Riverbank guides to agree,” Mrs. Olaya said. Over the course of a couple of days, she recreated a ton of photos and then incorporated them into a short video, which was uploaded to the Lovett Alumni Instagram.
“I was very excited when I got the email to recreate the pictures from alumni giving day,” Lucy said.
This intersection of past and present coincided with the theme of this year’s Alumni Giving Day, “Honor, Give, Impact.”
“It’s honoring the places and spaces that built you,” Mrs. Olaya said. This year was even bigger than previous years because it was the last Alumni Giving Day before construction on the new Rita Anne Rollins Hall begins.
“We wanted to honor specifically the community center, and all the spaces and places on campus that meant something to alumni,” Mrs. Olaya said. This is where the recreating photos idea came to mind.
Lucy valued the opportunity to explore Lovett’s past. “It was fun to get to walk around campus and see how it has changed over time,” she said.
Still, Mrs. Olaya understands that the demolition and construction will evoke mixed feelings among alumni. “Especially for our older alumni, this was their high school, or it was their middle school,” she explained.
Alumni are not the only ones who are asked to donate to the True Blue Fund. Parents, grandparents, friends of the community, parents of alumni, and faculty are often asked to donate.
She pointed out that they solicit from these other groups more than alumni “because many recent alumni are young and in college, and might not want to be solicited by their alma mater regularly (it is just my guess, though).”
Ultimately, Mrs. Olaya hopes older alumni will enjoy the new changes at Lovett and, hopefully, embrace the future Lovett generations.
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Skidaway Students Find Magic In the Mud

By Zoe Robinson
Lovett’s annual Marine Bio trip went on just a few weeks ago, with many upperclassmen missing the latter half of their week to head to Skidaway Island.
The two-and-a-half day trip, planned by both Marine Biology teachers, Dr. Reynolds and Ms. Kostka, was led by Dr. Reynolds, Despite its brevity, the trip was definitely impactful for the students who went on it.
Dr. Reynolds has been taking students to Skidaway for the twenty years she’s taught at Lovett. The goal, she said, is to get students out of the classroom and to enjoy what they’re learning. It takes place on UGA’s marine biology campus on Skidaway Island, promising lots of opportunities for students to see what they’ve learned in class up close and personal.
For Dr. Reynolds, taking a trip like this for her class just feels like the natural thing to do. “Our unit on estuaries is right there,” she told me of the site, “so why would I lecture about it in the classroom when I talk about it while we’re standing right in the mud?”
For Dr. Reynolds, who has a PHD in ecology, not only is it the best way to teach what she knows, but it’s also the best way to give her students a reset so that they can enjoy the class. Even though what they’re learning may be interesting, it’s always nice to get out in the field and do the work themselves.
The trip also has a bit of a reputation for being a bit mucky, given how much of the time is spent in the actual ground and water, but it’s just another part of the experience. “One year, Mr. Greenberg was literally up to his neck in the mud,” she told me, recounting what the landscape was like. However, when you’re doing it, you get to appreciate the hard work that goes into a marine biologist’s job – and also how fun it can be.
While junior Chloe Major felt she was working hard throughout the trip, she also said that the experience was just a good time. “Being in the field, it’s very interactive and hands-on, which is the best part,” she said.

The Marine Biology classroom does have its iconic aquarium, giving a bit of real-world experience, but the trip presents an exciting opportunity for students. Since most of the class is lectures and observation, getting to actually do the work of marine biologists was a nice way to apply what they’ve learned. “We got to do the actual experiments that we read about, which was fun,” she told me.
While much of the trip was admittedly spent working, being able to do so in such a beautiful place made that work 10 times easier and more enjoyable. “It’s a beautiful view and setting,” Chloe described to me, saying that it was definitely a nice place to learn.
Junior Ashton Hightower agreed, mentioning how beautiful the land was. “It’s like super well preserved, it’s crazy… and it’s so serene,” he explained. For him, doing the work also gave a sense of calm, making it even more enjoyable.
When the students weren’t doing fieldwork, they had time to get a taste of the college experience and campus with other college students. “There’s stuff to do other than just working,” Ashton told me. “They have a field, they have games, an aquarium, a trail.” Overall, there were many activities for the students to enjoy together.
For Chloe and other students, the best thing they got to do together was just hang out at night. “We were just up super late, walking together and being together,” Chloe told me. “It was really like class bonding.”
For Dr. Reynolds, being able to see the bonding, as well as the genuine curiosity and joy from her students is what makes it worth it. The moments when kids find strange objects washed up on the beach and ask about them, set up their own experiments, or even just freak out after sitting in mud are the ones that make her proudest. “Those moments of just pure inquisitiveness, those are my favorite,” she explained.
While the trip may have gotten them a little muddy, it seems to have been a rewarding experience. “I highly recommend it to anyone who wants to do it,” Chloe told me, as she headed off to clean her tank back here at Lovett, 362 miles from the ocean.
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Ramadan Wrapped With Senior Zaynab Farid

By Isabella Ying
When most people think of Ramadan, they might think of fasting from dawn to dusk. After all, from February 17th to March 19th this year, many of us have noticed the Muslim members of our community abstaining from lunch. But what many don’t realize is that Ramadan is about so much more.
Many people believe that Muslims fast during Ramadan “only because we believe God tells us to do it,” said senior Zaynab Farid, president of Lovett’s South Asian Alliance. In actuality, the reason is much deeper. It’s about “resetting yourself or grounding yourself,” and learning empathy for those who may not have food on the table every day, according to Zaynab.
In addition to fasting during the holy month, Muslims change numerous behaviors that, to many of us, seem habitual. So for all the gossipers and debaters by nature (both prohibited), Ramadan is a time to reorient, forgive, and strengthen your faith.
Zaynab, who has fasted since she was 13, admitted she struggles to adhere to these moral obligations during Ramadan. However, she tries her best to keep them at the forefront of her mind and has seen the positive results: throughout the past month, she found herself “definitely praying more often, or just reflecting on my life and religion a lot more.”
Ramadan 2026 was especially near and dear to Zaynab because it marked a turning point in her life. “My favorite part is just being able to spend more time with my family because this is the last year I’ll be doing it with my family,” she reflected. Once she leaves for Babson College this coming fall, “it makes me really sad to have next year and be doing it alone.”
For anyone who’s never participated in Ramadan before, the assumption might be that it’s difficult for Muslims to maintain their energy during the daylight hours without eating or drinking.
Zaynab doesn’t find this too difficult, but if she does begin to feel drowsy, she likes to take naps to replenish some vigour. Altogether, Zaynab finds fasting is more so “in the back of your mind” as opposed to a “twenty-four-seven thing of ‘I’m so hungry.’”
Like many Muslims during Ramadan, Zaynab has heard her fair share of “so you can’t even eat or drink water or anything in a day?” She understands that many people are simply genuinely curious, so she’ll gladly offer explanations to clear up any confusion. But for those who are inconsiderate, she offers this: “We know we’re fasting. You don’t need to remind us.”
Over time, Zaynab has learned to accept that there will always be people who act ignorantly, no matter the religion. She’s learned to laugh off these interactions and not take them to heart. “That’s just something you have to put up with,” she said.
Although Zaynab isn’t exceedingly vexed by fasting or the narrative around it, eating is obviously still necessary. But considering its proscription from dawn to sunset, her schedule from February 17th to March 19th differs greatly from the rest of the year.
During Ramadan, Zaynab’s day starts around five or six in the morning. She’ll have breakfast, and then, “if I have time, I’ll just go back to bed and I’ll try to sleep for a few more hours,” she recounts. On school days, she follows a relatively normal routine: she’ll do her homework, go to school, and spend time with her friends. On a weekend, “I’ll get up pretty late, probably.”
Then, around seven or eight in the evening, she’ll eat dinner with her family and family friends. This differs from “regular days,” where Zaynab will “go out with my friends, or I’ll eat on my own, or sometimes, none of our schedules will line up,” so she won’t be able to dine with her family. But during Ramadan, “every night we get dinner together, so I’m always home for dinner during that.”
Zaynab confessed that during Ramadan, even on school nights, “my brothers and I, we found ourselves usually going out until like one or two AM.” Zaynab’s brothers both go to Lovett. Humza is a freshman, and Muhummed is a junior.
With Ramadan having just concluded, Zaynab has just celebrated Eid al-Fitr. Eid, the way Zaynab likes to explain it, is the Muslim version of Christmas. It’s not celebrating the exact same thing—Christmas with the birth of Jesus Christ, and the breaking of the fast for Eid—but for both religious spectacles, gifts are given and received.
On Eid, Zaynab and her family go to the mosque early in the morning to pray and listen to a talk. Then, after that, the festivities commence.
Eid is, to Zaynab, essentially “a whole day just partying.” Girls apply henna and families take many pictures. “We basically celebrate it because we’re just celebrating the end of Ramadan,” Zaynab explained. Specifically, Muslims will eat “a lot of food. Everyone’s eating a full day.”
A meaningful Eid tradition in Zaynab’s family is a celebratory treat. The night before Eid, her mother will prepare dessert, and the family will wake up early to eat it. What a fitting familial festivity to top off the holiest month on Zaynab’s calendar!
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What’s Your GeoGuess?

By Parvi Anand
At Lovett, March Madness isn’t only about basketball. This year, students and teachers are competing in a different kind of bracket: a GeoGuessr tournament organized by English teacher Dr. Brice Ezell.
GeoGuessr is an online game where players are dropped into a random location on Google Street View and must guess where they are in the world. Using clues like road signs, landscapes, and languages, players try to place their guess as close to the real location as possible.
According to Dr. Ezell, the idea for the tournament started last year with a former student.
“The inspiration really came from Brendan Pitfield, who graduated last year,” Dr. Ezell said. “He had seen a TikTok about the game and started playing it. We began playing together and decided it would be fun to build a club and eventually a competition.”
The GeoGuessr Club then created a tournament inspired by the excitement of March Madness brackets. Before the tournament begins, players compete during a regular season to earn points based on how often they attend meetings and how well they perform. Those points determine their ranking, or “seeding,” in the final bracket.
Once the bracket is set, players compete head-to-head. Each match includes five rounds where players have 30 seconds to guess the location shown in a Google Street View image. The closer their guess is to the real location, the more points they earn.
As the tournament continues, the rounds become more difficult. In earlier rounds, players can move around the map to search for clues. In the semifinals, they can only pan or zoom. In the final round, players cannot move, pan, or zoom at all; they must guess based on a single image.
Success in the game often comes down to small details. “Some players look at things like the color of road lines or what side of the road cars drive on,” Dr. Ezell said. “Others might look at the trees, the language on signs, or even the time of year.”
While the game is competitive, Dr. Ezell believes it is also a great way for students to learn about the world. “It’s a game where you naturally learn geography,” Dr. Ezell said. “You start noticing things about different countries and landscapes.”
Interest in the tournament has grown since last year. The first competition had 17 participants, while this year nearly 30 players showed up to compete.
The tournament also includes both students and teachers, something Dr. Ezell believes makes the competition more interesting. “I think both groups would be surprised by what the other knows,” Dr. Ezell said.
Last year’s final match came down to Dr. Ezell and Brendan, with Dr. Ezell eventually winning. This year, however, Dr. Ezell says the outcome is much less certain. “At the end of the season, I was in the lead,” Dr. Ezell said. “But players like Colin Summers, Nathan Shaw, Baker Weeden, and Jack Kilroy have been winning more recently.”
Senior Colin Summers has been playing GeoGuessr for about a year.
His experience traveling has helped him recognize locations more easily. “I’ve traveled a lot around Western Europe, about once every other year,” he said.
When trying to figure out where he is in the game, Colin looks for small but important clues. “I look at license plates, Europe has some with blue stripes,” he explained. He also pays attention to “what side of the road people drive on, the nature around, and road signs.”
For students interested in trying the game themselves, Colin recommends starting with the free options. “You get three free guesses,” he said, adding that students can also “join the club.”
Because the final round includes 15 guesses and the tournament uses a single-elimination bracket, Dr. Ezell says anyone could take the title this year.
No matter who wins, Dr. Ezell hopes students leave the tournament with new knowledge and a stronger sense of community. “It’s amazing how a game can bring people together,” Dr. Ezell said. “And this one helps you learn about the world at the same time.”
(A quick update: Dr. Ezell was the champion, which is a little sad for the student competitors. But there’s an upside for Dr. Ezell: “I now at least get to keep my money!”)
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Opening Doors To Black History

By Malaya Madison
While the Upper School offers engaging experiences for Black History Month, like a special chapel service, catered soul food, a jazz assembly, and a screening of Hidden Figures, the other divisions took part in their own activities that delivered powerful messages
In 1926, Black History was celebrated for a one-week period, which has since grown into a nationally recognized month.
For the ninth year in a row, students in lower and middle school learned about celebrated Black history in their classrooms with a door-decorating competition. This year, the theme was “A century of Black History Commemorations.”
Teachers were given a list of historical figures to choose from, and then it was showtime!
The doors were officially displayed on February 24th, from 5 pm to 8 pm.
In Middle School, the doors are mostly decorated during advisory, but in lower school, they are decorated at any time of day.
Curious to see what these devoted students had created, I paid a visit to the other divisions.
While I was on a tour of the Lower School, I encountered Ms. Sarah Griffin, a 5th-grade teacher, who was very excited.
Her class created a beautiful door about Ella Fitzgerald. The door had a stage attached to it built from a cardboard box and a microphone made with construction paper. The door offered a cool interactive experience, allowing users to play different Ella Fitzgerald songs by Ella Fitzgerald using buttons.
“I really love that it brings the class together to celebrate stories that may not always be told. It’s a really cool experience,” Ms. Griffin said.
This excitement wasn’t limited to teachers; many students felt the same.
I spoke to Aliya Claybrooks, a fourth grader, about why she liked designing the door in her classroom.
“What I like about doing a door is it’s really fun, and you get to talk about it with your classmates about people with black history and how they changed the world, like slavery and stuff,” she said.
Viewers who came through the show voted for a door in each grade using posted QR codes.
The contest wasn’t limited to doors; if teachers had access to a space, they could decorate it as well. They used their students’ faces and comments to make the doors fun and interactive.
In the 3rd-grade hallway, I stayed at a few doors for about 10 minutes.
When I was coming up the stairs, one of the volunteers told me to beware of the door she was about to show me. She told me that this teacher always goes all out.
The door was about the Marine Biologist, Ernest Everett. This teacher constructed an entire demonstration of rocks, coral, sea animals, and more. She even made an aquarium to decorate with her students’ faces. She used a Galaxy Light from Amazon to make viewers feel as if they were underwater.
Another 3rd-grade teacher made a door about Ruby Bridges, asking her students how they would feel attending school where they didn’t belong.
In Kindergarten, they studied Garrett Morgan, who invented the traffic light. She built a car and designated a corner of her space as a street. The information on this door presented statistics showing how the traffic light has saved many lives.

The teacher lounge was decorated to celebrate 100 years of black excellence. Using black paper, the teachers rolled it into beautiful curls.
In Middle School, the doors that stood out to me the most were those of Ms. Faulks and Ms. Reed. Ms. Faulk constructed a door about Althea Gilson. This door featured her accomplishments in medals, and what really caught my eye was a large tennis ball.

Ms. Reed’s door was on Katherine Johnson, a main character in the movie Hidden Figures. Ms. Reed created a ladder and painted her door green with construction paper to resemble a chalkboard.

Food for the event was catered by Bryan Hospitality and featured Caribbean-style dishes such as jerk chicken, black-eyed peas, and feta.
Jazz Legacy Art hosted a jazz show, and the performers delivered wonderful music to fully immerse the audience.
The doors were impeccable, and to my understanding, they get better every year.
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Pots and Poetry: A New Road Taken

By Isabella Ying
Just as ideas in English class tend to arise, Ms. Rosenstein and Mr. Smith’s “Pots and Poetry” project was inspired by a book. In this case, it began with a “Christmas gift” left on Ms. Rosenstein’s desk with a note signed by ceramics teacher Mr. Smith. The gift was a book called Centering in Pottery, Poetry, and the Person, written by Mary Caroline Richards. Pots and Poetry is a part of the “U-Pick-the-Poem Project/Presentation” in her course, AP English Lit & Comp: The Mind is a Fascinating Thing.
Originally, Ms. Ro believed that Mr. Smith approached her about the project because his ceramics class’s pots would look more interesting for the Signature magazine. But she understood that Mr. Smith intended there to be “a whole other level” to why he wanted to do this.
Ms. Ro believes that just like the author of that book, Mr. Smith sees “a very philosophical, almost spiritual connection…between poetry and pottery and human beings.”
Creating art, according to Mary Caroline Richards, a poet herself, is about feeling “connected to everything and everyone. It’s philosophical.” Seeing that the project requires students to choose a poem that “speaks to you,” perhaps engraving poetry onto a pot actually does, after all, serve a purpose—that being to connect humanity with words and art.
Once Mr. Smith and Ms. Ro conjured this idea, they had high hopes for the ceramic–literary art fusion to be “engaging” for the students. Their hopes were fulfilled during the fourth and fifth periods of Wednesday, March 11th, in the ceramics classroom.
For the last period of the day, Mr. Smith started period four off by explaining the artistic process. You must choose a pot, perhaps perfect, or else with “wabi-sabi” (a Japanese term connoting the beauty of impermanence or imperfection) from the array produced by the ceramics class, then carefully paint or engrave lines—a few favorite phrases, or all of them, or just one—from your poem. The goal: to speak to the world about how your chosen poem speaks to you.
He picked up several pots as examples, these having been made during period five. He held them out, some with and without colors.

With that, Mr. Smith released the AP Lit students to explore their artistic prowess and voices. With, of course, a word of caution. “Be careful… they’re soft so you can carve into it, but they’re also very fragile… use two hands to pick them up,” he reminded the seniors.
First, the students crowded around a table at the front of the classroom to decide which pot they wanted to inscribe their poem on. Once the students had settled in, pots rotated on pottery turntables as they assessed how to dress them, a humming chatter becoming a steady background noise for the period.
As Siena Raponi worked on detailing her pot with her chosen poem, “The Moment” by Margaret Atwood, she reflected on how ceramics provided a “creative outlet” to visually represent the poems, based on “how you can express your color, or what it means in your own person.”
Hollis Fann, like Siena, used colors to connect her poem and pot. She painted colors in a pattern to match the rhyme scheme of her poem, “The Road Not Taken” by Robert Frost. Hollis grew up reciting poems and, having written about this one for her college essay, she was emotionally attached to it. The poem is about “the choices we make in life and coming up onto a divide in the road and having to decide between two different paths,” despite knowing that the “wrong” path could lead to unwanted endings.

An imperfection in her pot that Hollis found was a ridge, which she used to symbolize the “bend in the path.” Based on Mr. Smith’s instructions, he clearly would approve of the sculpting error that Hollis capitalized on, as he observed how students tend to “want to make perfect pots, but for this, I told them to embrace imperfection of things.”
To show an example, he displayed a pot that wasn’t the most visually appealing, but was very “interesting” because the student had etched their poem’s lines in a wavy spiral around it.
Ms. Ro, along with Mr. Smith, assisted the students with their ceramics endeavor. When several students asked her how many lines they needed to add, she assured them that “I want you to do what feels good to you.”
Blake Waller, who happens to be the only boy in the entire class, had another interesting representation of his poem with his pot. Blake wrote his poem circularly around the rim, “so it comes full circle.” His poem was “I, too” by Langston Hughes, and his father recommended it to him.
The following Monday, students had to present their pots and poems in English class, and Blake explained how Hughes expresses hope for “a new day when Black people will be seen as equal in America.”
While Blake believes that progress has been made since the time of the poem’s writing, much is still necessary to complete the full circle that Blake etched the poem in on his pot.
He acknowledges that Hughes’s piece is “definitely aspirational,” with its high hopes for the future. It’s “a product of his time,” seen in “how Langston Hughes conceptualizes the future.”
After the project, Ms. Ro reflected that she would love to return to ceramics for similar escapades in the future. She recounted fondly how at the end of her fifth period class, “there were four kids up here and at 1:22 or three, they’re like, ‘I didn’t know the bell rang for lunch.’ And to me, that’s like a teacher’s dream, right?”
Ms. Ro looks forward to “bugging [Mr. Smith] again next year” about the project, and briefly pondered whether the students could use their own poems on the pot.
But, upon asking “excellent student” Olivia Simms if she’d want to engage in that, Olivia responded with a firm head shake of disapproval, Ms. Ro accepted defeat.

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A Bittersweet Salute To The Community Center

By Angelina Ricker and Micah Ingram
For many, including us, the community center basically grew up with us–from a place to eat lunch, to a place you go to avoid the rain, to a place you go to for dance class.
But let’s be honest, it’s seen its better days. And yet, despite its peeling paint, its vintage HVAC system that cycles between hot and cold, and its bathrooms that smell like the 1980s, the community center is more than a broken-down building.
As a result of the lack of modernity, part of Lovett’s master plan for the campus is to completely demolish the community center, starting this summer, and construct the Rita Anne Rollins Hall, hopefully to be completed by the fall semester of 2028.
Currently, faculty and students are preparing for the big change that will reshape how we get lunch, attend classes, study, and access certain resources.
We sent out a survey asking about your favorite memories at the community center and what y’all will miss most about it.
Surprisingly, many students and faculty provided thoughtful, unique responses that stood out to us.
Ironically, many at Lovett recognized that they appreciated the “Frankenstein-nature of the Community Center,” or that “it felt like our Hogwarts to me.” Ultimately, for many, the lack of uniformity transformed the simple building into a place of genuine character and belonging.
Another trend observed across some entries was the number of people who expressed sorrow and recalled the great memories they shared with their peers and colleagues.
Although the form was anonymous, one teacher expressed how, in the faculty dining room, they “had so many hilarious, meaningful, and idiotic conversations there with my colleagues over the past 23 years! RIP!”
Several students expressed sadness about their memories of the cafeteria, the “dark rooms” behind the jazz band room, the cozy rooms overlooking the pond, the theatre, and the photo darkroom.
But before all that concrete, drywall, bricks, and toilets are trucked away, we wanted to check in with some of the people most affected by this change.
We started with Ms. Northrup and Mr. Bowden, the high school librarians, whose home away from home is in the community center, and if you’ve been here recently, you can already start to see the change taking place within the space.
So one of the main questions they receive is precisely this: “So where are the books going to go?” Ms. Northup communicated that, for right now, they plan to relocate to the indoor track in Glover gym, which Ms. Northup likes to call “Ontrack” (get it? Because it’s on the track). (We like to imagine the 1980s teen movie version of this, where a ”nerdy” student goes to borrow a book and falls in love with a jock playing dodgeball.)
The new “On Track” system has several drawbacks, including limited space, flexibility, and access. But one of the main pros that is completely new is Ms. Northup’s and Mr. Bowden’s new delivery system, BookDash (similar to DoorDash). This system will enable books to be delivered to students’ advisories after online orders, rather than through the traditional checkout process at the library.
For the librarians, the demolition of the current community center is a bittersweet experience, and they expressed how they will miss the library dearly. And yet they can’t wait for the new amenities that will replace the broken, inconvenient ones now.
For example, the new and improved library will include more windows, natural light, a larger open floor plan, and more engaging activities.
‘If we need stuff from upstairs, we have the dumb waiter that’s older than I am, which doesn’t always work to get things from upstairs to downstairs. It’ll be exciting to have better temperature control and a space with windows,” Ms. Northrup told us.
On the other hand, they will sincerely miss the memories and the “welcoming environment” they created in the current library. Besides books, the library also provides board games, a sewing machine, Legos, and other fun crafts to do when you’re bored.
Additionally, many middle schoolers hang out in the library after school, and some high schoolers eat lunch there as well. “I’m going to miss having a space where so many people get to come and hang out,” Mr. Bowden says, “It’s one of the best parts of my job.”
Mr. Silvermann, the Film and Broadcasting director, has been here for 20 years, so if there’s anyone at Lovett who knows the community center, it’s him.
“I will certainly miss being so close to my Fine Arts colleagues, hearing the chorus singing and the band practicing, seeing the dancers running up and down the halls,” he said.
Despite being somber about the community center’s demolition, he also gave us some inspirational words about the major change to come, stating that “The positive thing is that our community exists with or without a building. Ideally, we spend each day in an effort to strengthen our connections– between students, parents, teachers, and administrators.”
He hopes that, through these modifications, he can rebuild the safe space he has enjoyed for the past 20 years, creating a low-key, low-pressure zone where students can decompress and fuel creativity.
While the dust of demolition and the hum of new construction are inevitable, it is clear that the community center has never been just a collection of bricks, peeling paint, or temperamental HVAC units.
It has served as a scrapbook for the Lovett community, and a building that somehow managed to feel like home for everyone from the quietest reader to the rowdiest lunch table.
As we transition to the “On Track” era and begin to navigate the logistics of BookDash and temporary classrooms, the sense of wistful melancholy among students and faculty is a testament to the environment that decades of Lovett students and faculty built together.
Ultimately, the fall of 2028 will bring a sophisticated new hub to our campus, but the legacy of the old center will persist in the stories shared across the new cafeteria tables. We aren’t just gaining a state-of-the-art facility; we are also mourning the spirit of a shared rusty, dusty landmark that provided the backdrop for so many students and faculty over the years.
While it’s hard to watch the rust take over, we aren’t just losing a building;
Ultimately, Mr. Silverman advises optimism. “Life is change… embrace that. Don’t try to hold on to it!” he said. Hopefully, this new chapter will create many more memories and opportunities for everyone in our Lovett community.
And decades from now, we can be sure that students will walk into the bathroom in the new center and think, this smells like the 2020s.